Abstract Saturday: Franz Kline (1910-1962)

Kline didn't begin painting abstractly until the 1940s. To help himself think in abstract forms after years of figural painting, he used an enlarger to zoom in on areas of smaller drawings to find the strong gestural, seemingly spontaneous lines that he would become known for, first in black and white and later in color as well. At times, he even revisited his earlier works and added color elements. 

Franz Kline | Orange Outline 1955. Oil on paperboard mounted on canvas 38 x 40 in. (96.5 x 101.6 cm)

New York 1953

Black Reflections, 1959 via the Metropolitan Museum

Untitled II 1953

Abtract Saturday: Paul Klee

After the floods 1936

Burdened Children 1930 Paul Klee 1879-1940 Bequeathed by Elly Kahnweiler 1991 to form part of the gift of Gustav and Elly Kahnweiler, accessioned 1994 via Tate.org

Bluebird pumpkin 1939

Characters in yellow 1937

Mess of fish 1940

Cat and bird

Death and fire 1940

Woman in peasant dress 1940

Puppet theater 1923

The chapel 1917

In the style of kairouan 1914

Abstract Saturday: Douglas Swan, British (1930- 2000)

Douglas Swan | Stones & Ropes 1959 Oil on canvas via Godson and Coles

Douglas Swan | Winter Harbour 1958 Oil and collage

Beach 1958 Oil on canvas

Douglas Swan | Yellow Net 1961 Oil on canvas via Saunders Fine Art

 

Abstract Saturday: Sir Terry Frost part 2

Terry Frost, British 1915-2003 | Blue for Lumbar 1956 Oil on board via Godson & Coles

Green and Blue Movement 1952 by Terry Frost Oil on canvas board, 79.5 x 48.8 cm Collection: Lincoln College, University of Oxford

Green and Blue Movement 1952 by Terry Frost Oil on canvas board, 79.5 x 48.8 cm Collection: Lincoln College, University of Oxford

Force 8 by Terry Frost Ferens Art Gallery 1960 Oil on canvas, 221 x 173 cm

SIR TERRY FROST (1915 - 2003) BLACK AND WHITE SEA. MOVEMENT, 1951 oil on canvas 16 x 20 inches via

Terry Frost | Battersea flower seller 1948

Green and Maroon Movement by Terry Frost 1952 Museums Sheffield via BBC UK

Black Abstract 1960 Pencil, ink and pastel on card  1960 via Godson & Coles

 

Abstract Saturday: Adolph Gottlieb

Born in New York in 1903, his first home was on 10th street in New York City, opposite Tompkins Square Park, a neighborhood I used to wander daily when I was a freelance illustrator In the city. He was a contemporary and friend of Milton Avery and Mark Rothko. He changed the spelling of his first name from "Adolf" to "Adolph" in response to the election of Adolf Hitler as Chancellor in Germany and painted for the WPA in the thirties. My particular favorites of his paintings are the "pictographs" from the 1940s. They're all based on symbols or motifs from random human and natural forms, separated into compartments of a grid. Gottlieb didn't sketch out his ideas but tried to be spontaneous so as to draw from his subconscious.  There are so many that I love, that it was hard to choose.

Pictogenic Fragments by Adolph Gottlieb

Adolph Gottlieb: Night Voyage, 1946 - Oil on canvas (Gift of Joseph H. Hirshhorn, 1966 Art Β© Adolph and Esther Gottlieb Foundation

Alkahest Of Paracelsus, * 1945 * Adolph Gottlieb, American, 1903–1974. MFA, Boston via

 Sentinel, 1951 Adolph Gottlieb (American, 1903-1974) 

Pictograph, 1942, oil on canvas by Adolph Gottlieb via

Pictograph, Adolph Gottlieb, 1946, oil on canvas

Night Forms, 1950

Mood Indigo 1946,  Adolph Gottlieb. Gouache, watercolor and graphite on paper . 25Β½ x 19Β½ in. (64.7 x 49.5 cm.)