Hi, I’m back! Here’s a little sketchbook I did since last we met. What happens when Florian meets Bucky outside of the supermarket?
Illustration by Stephanie Birdsong
Florian meets Bucky outside of the supermarket.
Hi, I’m back! Here’s a little sketchbook I did since last we met. What happens when Florian meets Bucky outside of the supermarket?
Illustration by Stephanie Birdsong
Florian meets Bucky outside of the supermarket.
Here are a few great examples of books illustrated (many also written) by Lois Lenski (1893 – 1974)
The Little Family by Lois Lenski 1932 via eBay
Betsy-Tacy, by Maud Hart Lovelace, illustrated by Lois Lenski via
The Little Auto by Lois Lenski via Brickbatbooks.com
The Little Airplane by Lois Lenski. New York: Oxford University Press, (1938)
via Harropian Books
High-rise secret 1966 via Amazon.com
Here's another wonderful illustrator from the mid-20th century. Brooklyn born, Seiden was best known for the pictures he created for children's books, particularly Little Golden Books.
Berlitz - French Zoo Animals for Children written by Robert Strumpen-Darrie & Charles and Valerie Berlitz, illustrated by Art Seiden (1963). via
Berlitz - French Zoo Animals for Children written by Robert Strumpen-Darrie & Charles and Valerie Berlitz, illustrated by Art Seiden (1963) via
Wonder Books Illustrations by Art Seiden 1952 this printing 1974 via
The Animal's Playground written by Virginia Stone Marshall, illustrated by Art Seiden (1964). via
Space, Time and Rockets by Rehta Randolph, edited by Catherine Barry (Assistant Curator, Hayden Planetarium). Cover art by Art Seiden. Inside art by Jacque Stain 1952 via
Illustrated by Art Seiden Written by Gene Darby Copyright 1963 via
This week in MATS class, we're doing children's picture books. The assignment was illustrating the cover or a spread of Aesop's "The Tortoise and the Hare" fable. I saw the tortoise as being a very organized and positive fellow, who would plan out his journey to the "T". I love painting rain scenes, so I threw that in because I wanted to make my painting feel really atmospheric.
Here's the final cover
I began in my sketchbook, and it gave me some ideas for how I might approach a spread. In the end, I decided to do the cover for now, because it's something I want to work on and add to my portfolio.